In Blogville, when another blogger leaves a comment on one of your posts, it is good form, if you have not yet "met" the blogger, to visit her blog and leave a comment of your own. I have met some wonderful friends that way. That is how I recently met Stacey, a young mother in England, who blogs at Stay at Home Mummy.
Yesterday, Stacey wrote about holiday traditions, listing some of her favorites. As I was skimming over her list this morning, one in particular caught my eye: "Hide the robin - buy a Christmas robin with wire feet and he hides around the room, children have to come into the dark room with a torch and find him - a tradition when we were little!" [Emphasis added.]
I thought about that for several minutes. A torch? Children in dark rooms with torches? I was thinking of a stick with cloth wrapped on the end and set on fire. It took me more than a few moments to realize Stacey was talking about the children using flashlights, not firebrands.
While I am now convinced that England is not at risk to go up in smoke from robin-seeking children (although the riots over tuition hikes may indicate that other problems are smoldering), the image of entering a dark room with a flaming stick to look for an ornament has stuck with me all morning.
When my boys were young, they regularly played a self-invented game, called, I believe, "Dark." It was a simple game: players gathered in Sam's room (which was big) at night, all the blinds were closed, all the stuffed animals in the house were heaped in piles in the room, Ben or Sam shut the door and turned off the lights, and everyone started firing pillows and animals while running around the room, leaping onto the beds (if the player was lucky enough to know the room layout) and crashing into furniture (if one was not so lucky). The game was played at breakneck speed, with lots of screaming and shouting. It went on until either (a) someone got hurt enough to call for a parent or (b) everyone agreed to a mutual truce and turned the lights back on.
[Note: For those of you who are wondering what I was thinking allowing them to play this game, realize I grew up with only brothers and had only sons. So this game made perfect sense to me. When they got much older, Ben and Sam played a variation of it, using air pellet guns instead of stuffed animals, in the empty second floor space in the downtown building in which we lived.]
So the notion of seeking robins with lit torches holds a peculiar charm and fascination for me. It is a tradition (my version, that is) that Ben and Sam would have wholeheartedly embraced when they were little. They probably still would, for that matter. It lends a whole new meaning to the French carol, "Un flambeau, Jeanette, Isabelle - Un flambeau!"
I can see my boys now, torches in hand, running through the house, looking for the robin in the dark, calling out for Christmas.
Thoughts from a just-turned-70 individual living a richly textured life in Delaware, Ohio.
Friday, December 10, 2010
Thursday, December 9, 2010
What's the Christmas You Remember Best?
'The Drum Goes Dead" is a Depression-era Christmas story by Nebraskan author Bess Streeter Aldrich. Set in a small rural town in the late 1930s, the story follows bank cashier Richard Lanning throughout his (and his town's) Christmas Eve.
Aldrich sketches the era well. As Lanning walk to work, he notices the "houses and garages that needed painting," the neglected yard work. He is disturbed in his heart this Christmas Eve. The depression, "the one with a capital D," has hung on in the town. The community is in the midst of a three-year drought, and farmers and businesses alike are hurting. In the wider world, "nations were at other nations' throats." The "general rundown appearance of the little town" weighs on him, as does the plight of his friends and neighbors.
Aldrich paints a quiet portrait of Lanning and the "ruts into which a small-town man" slips, including playing Santa Claus at the annual Christmas pageant. He decides that it would be hypocritical to celebrate Christmas, with its promise of "good cheer and tranquility," when so much is wrong in the world. Lanning has lost his Christmas spirit, and "the death of the spirit is a grievous thing."
Aldrich carefully steers Richard Lanning through his day. She was a master at capturing the small moments, and she does not waste her mood or her story on a Big Revelation. Lanning does not suddenly "find" his Christmas spirit. Instead, it comes to him in small drops of daily life.
Following a curbside conversation with the town's remaining Civil War veteran about his Christmas memories, Lanning begins asking his bank customers "what's the best Christmas you ever had?" All day long, "these common, ordinary small-town folk" tell him stories of family, stories of grandchildren, stories of hard times softened by the holiday.
It is a retired professor who provides the title of the story, quoting from his study of medieval English celebrations: The maskers and the mummers make the merry spirit/ But if they lost their money, their drum goes dead. The professor reflects that in modern times, where friends and neighbors had lost their money and the world was uneasy, it "it takes a great deal of spirit and courage to beat away as though nothing had happened."
It is not until Lanning is walking home that evening that he starts to turn over the day's conversations in his head. He realizes that the common thread to all of the stories he heard that day was home. It is a small realization, a small drop, but one that nudges Lanning towards seeing the hope and the promise of the season.
Many of my friends speak of a muted Christmas spirit this year. Some have been dealing with prolonged financial problems, others struggle to find employment. Others, because of family difficulties or other issues, have said they are not feeling much Christmas spirit this year. I often struggle with it myself. Christmas for me often has a fine deft edge of melancholy which can widen into a band of sadness if I am not careful.
It takes a great deal of spirit and courage to beat away as though nothing had happened.
In rereading Aldrich's story before writing this post, I reflected on Richard Lanning, her "everyman" who started Christmas Eve feeling disconsolate and burdened, and ended it feeling "mentally strengthened, emotionally comforted." He found his way back by stepping outside of himself and his emotional stew, asking others about their best Christmas memories.
What I would say if Richard Lanning asked me?
I have a handful of favorite memories, most of which involve my two boys, some of which involve Warren, and the rest of which reach back into my childhood. Maybe my "best" memory was the year Ben and Sam received a Playstation 2, hidden away upstairs as they unwrapped other presents downstairs. Sam unwrapped a PS2 game and immediately said, almost in tears, "this is the wrong game. We don't have a PS2." Ben then unwrapped a PS2 game, started to repeat Sam's comment, then stopped mid-sentence to stare first at his parents, then at his little brother. The boys both screamed at the same moment as they realized a PS2 was somewhere in the house. One of them, and I don't remember which, shook from his excitement. Seconds later, they were pelting up the stairs to find their gift. Their shrieks when they discovered it soon bounced back down the steps. It was a grand and glorious day for two little boys.
What Christmas do you remember best?
Aldrich sketches the era well. As Lanning walk to work, he notices the "houses and garages that needed painting," the neglected yard work. He is disturbed in his heart this Christmas Eve. The depression, "the one with a capital D," has hung on in the town. The community is in the midst of a three-year drought, and farmers and businesses alike are hurting. In the wider world, "nations were at other nations' throats." The "general rundown appearance of the little town" weighs on him, as does the plight of his friends and neighbors.
Aldrich paints a quiet portrait of Lanning and the "ruts into which a small-town man" slips, including playing Santa Claus at the annual Christmas pageant. He decides that it would be hypocritical to celebrate Christmas, with its promise of "good cheer and tranquility," when so much is wrong in the world. Lanning has lost his Christmas spirit, and "the death of the spirit is a grievous thing."
Aldrich carefully steers Richard Lanning through his day. She was a master at capturing the small moments, and she does not waste her mood or her story on a Big Revelation. Lanning does not suddenly "find" his Christmas spirit. Instead, it comes to him in small drops of daily life.
Following a curbside conversation with the town's remaining Civil War veteran about his Christmas memories, Lanning begins asking his bank customers "what's the best Christmas you ever had?" All day long, "these common, ordinary small-town folk" tell him stories of family, stories of grandchildren, stories of hard times softened by the holiday.
It is a retired professor who provides the title of the story, quoting from his study of medieval English celebrations: The maskers and the mummers make the merry spirit/ But if they lost their money, their drum goes dead. The professor reflects that in modern times, where friends and neighbors had lost their money and the world was uneasy, it "it takes a great deal of spirit and courage to beat away as though nothing had happened."
It is not until Lanning is walking home that evening that he starts to turn over the day's conversations in his head. He realizes that the common thread to all of the stories he heard that day was home. It is a small realization, a small drop, but one that nudges Lanning towards seeing the hope and the promise of the season.
Many of my friends speak of a muted Christmas spirit this year. Some have been dealing with prolonged financial problems, others struggle to find employment. Others, because of family difficulties or other issues, have said they are not feeling much Christmas spirit this year. I often struggle with it myself. Christmas for me often has a fine deft edge of melancholy which can widen into a band of sadness if I am not careful.
It takes a great deal of spirit and courage to beat away as though nothing had happened.
In rereading Aldrich's story before writing this post, I reflected on Richard Lanning, her "everyman" who started Christmas Eve feeling disconsolate and burdened, and ended it feeling "mentally strengthened, emotionally comforted." He found his way back by stepping outside of himself and his emotional stew, asking others about their best Christmas memories.
What I would say if Richard Lanning asked me?
I have a handful of favorite memories, most of which involve my two boys, some of which involve Warren, and the rest of which reach back into my childhood. Maybe my "best" memory was the year Ben and Sam received a Playstation 2, hidden away upstairs as they unwrapped other presents downstairs. Sam unwrapped a PS2 game and immediately said, almost in tears, "this is the wrong game. We don't have a PS2." Ben then unwrapped a PS2 game, started to repeat Sam's comment, then stopped mid-sentence to stare first at his parents, then at his little brother. The boys both screamed at the same moment as they realized a PS2 was somewhere in the house. One of them, and I don't remember which, shook from his excitement. Seconds later, they were pelting up the stairs to find their gift. Their shrieks when they discovered it soon bounced back down the steps. It was a grand and glorious day for two little boys.
What Christmas do you remember best?
Labels:
Ben,
Bess Streeter Aldrich,
Christmas,
Family,
gratitude,
Great Depression,
holidays,
love,
Sam,
small moments,
small towns
Wednesday, December 8, 2010
A Further Note on Writers and Writing
My blog post yesterday prompted a bedtime discussion with Warren. As we settled in for the night, my dear husband asked "what do you want to write?" My response was immediate: I reeled off a blog post I want to do about a specific Bess Streeter Aldrich story.
Warren said, "I didn't ask that question. I asked what do you want to write?"
I made another attempt at an answer, listing several blog topics I have scrawled on a piece of paper on my desk.
Nope, same question. Another try by me to answer it and yet another repetition of the question.
If Warren had been cross-examining me in court, my counsel would have been on his or her feet at that point, claiming "asked and answered," and the objection would have been sustained. I didn't raise the objection there in the dark, but I did point out that if we were in court, I would be asking him to rephrase the question because I didn't understand what he was asking.
Warren thought a moment, then asked whether I had some project out there - "something else" besides blogs. He sees my blogging as musical etudes, short studies. Not that there is anything wrong with etudes, he hastily added, unless I was writing only etudes when I wanted to be writing a concerto or symphony.
Oh! Now I got the question. And my answer was: I. Don't. Know.
I like writing etudes. I love writing etudes. I don't know if I have a concerto or a symphony or a sonata inside me. (I do have a box full of letters written by my late mother-in-law from Europe in 1944 when she was there as a Red Cross volunteer and there may be a book in there, but I don't know that and I haven't even read my way through them yet. And that would be Ellen's book perhaps more than my book.)
But regardless of whether I have something "bigger" inside me, I'm not even writing my etudes right now. And that is what I was writing about yesterday.
I'm not even writing my etudes.
A comment on yesterday's post from my good friend Jackie at Embracing My Blessings reinforced my feeling that I need to learn to respect my writing and the time it takes. She said "it always seems like you write about things I've been thinking about. This very topic of making time to write has been in the forefront of my mind lately. I say I want to write (other than my blog) yet I find myself writing about how I decorate my house on my blog instead of putting pen to paper and writing about what I really want to focus on…Thanks for the food for thought." I emailed her this morning my observations above, ending by saying "I think I have just written have a blog post here!"
And apparently I did.
Warren said, "I didn't ask that question. I asked what do you want to write?"
I made another attempt at an answer, listing several blog topics I have scrawled on a piece of paper on my desk.
Nope, same question. Another try by me to answer it and yet another repetition of the question.
If Warren had been cross-examining me in court, my counsel would have been on his or her feet at that point, claiming "asked and answered," and the objection would have been sustained. I didn't raise the objection there in the dark, but I did point out that if we were in court, I would be asking him to rephrase the question because I didn't understand what he was asking.
Warren thought a moment, then asked whether I had some project out there - "something else" besides blogs. He sees my blogging as musical etudes, short studies. Not that there is anything wrong with etudes, he hastily added, unless I was writing only etudes when I wanted to be writing a concerto or symphony.
Oh! Now I got the question. And my answer was: I. Don't. Know.
I like writing etudes. I love writing etudes. I don't know if I have a concerto or a symphony or a sonata inside me. (I do have a box full of letters written by my late mother-in-law from Europe in 1944 when she was there as a Red Cross volunteer and there may be a book in there, but I don't know that and I haven't even read my way through them yet. And that would be Ellen's book perhaps more than my book.)
But regardless of whether I have something "bigger" inside me, I'm not even writing my etudes right now. And that is what I was writing about yesterday.
I'm not even writing my etudes.
A comment on yesterday's post from my good friend Jackie at Embracing My Blessings reinforced my feeling that I need to learn to respect my writing and the time it takes. She said "it always seems like you write about things I've been thinking about. This very topic of making time to write has been in the forefront of my mind lately. I say I want to write (other than my blog) yet I find myself writing about how I decorate my house on my blog instead of putting pen to paper and writing about what I really want to focus on…Thanks for the food for thought." I emailed her this morning my observations above, ending by saying "I think I have just written have a blog post here!"
And apparently I did.
Labels:
Bess Streeter Aldrich,
blogs,
friends,
priorities,
time,
writing
Tuesday, December 7, 2010
On Writers and Writing
Bess Streeter Aldrich was a Nebraska writer in the first half of the twentieth century. I have mentioned her before in connection with Christmas: her Depression-era Christmas works remain among my favorite for both holiday and Depression-era short stories.
Bess supposedly sold every short story she ever wrote, as well as numerous articles and several novels. That's an impressive record. All the same, she was far better known in her community as a wife, mother, and active volunteer, rather than as a writer. Her husband died in 1925, only 18 years into their marriage, leaving her with four children and her pen as her primary means of support. College educated herself, Bess put all four children through school on the strength of her writing.
Recently I read two collections of her short stories, the first from 1907 to 1919, the second from 1920 to 1954. I soon learned that she had several stock formulas that she rotated through for many of her stories. Others, however, were one of a kind gems that still sparkle all these years later.
Included in the collection was an interview with Bess, in which she spoke humorously of writing out sentences with one hand while ironing with the other. Whatever privations her widowhood may have thrust upon her, she focused on the positive qualities of life not only in the interview but also in her works.
In the same interview, Bess spoke about people who claimed they wanted to be writers but somehow "just couldn't find the time" in which to write. She felt strongly that no matter how busy a person was, that person always managed to make time for what was important to him or her. If you said you wanted to be a writer and weren't writing because you were "too busy," then in her opinion you didn't really want to be a writer.
So what does it say about me that I go far too long without writing? (Or at least writing for this blog, because in many ways I indeed make my living through writing.) Do I not want it enough? Or, to rely on a later Nebraskan I also admire, therapist/author Mary Pipher, do I not write because our modern world has changed our daily rhythms and lifestyle so much that I often struggle merely to cut through the mental noise and clutter of the world, let alone write?
Bess would laugh at that, I am sure, and remind me that she wrote while rocking a cradle or darning a sock. True, but she didn't write while juggling emails or cell phones along with darning the sock or rocking the cradle. Pipher speaks of Aldrich's era as a time when lives "were busy, but not hurried." Too many times my life is busy and hurried, which is a fundamental step in the wrong way.
I often write about my schedule and busyness and my frustration when I let the bustle and rush of the world take over my personal space. It is so hard sometimes to let the email rest until the morning, to set aside the pressing but not urgent folder from the court. I need to respect my time and learn to set aside the time in which to write. I need to learn and relearn that respect until it is engrained in my fingers and my heart.
As a way of teaching myself, I have lately taken to writing from prompts. My favorite source (and I dearly wish Elizabeth would post a new one!) has been those at quotesnack. Like drumming, writing prompts jumpstart my heart and my soul. They are writing snacks: quick, light, easy.
I think Bess, who once wrote of a character that "earth held no sorrow that food could not heal," would approve.
Bess supposedly sold every short story she ever wrote, as well as numerous articles and several novels. That's an impressive record. All the same, she was far better known in her community as a wife, mother, and active volunteer, rather than as a writer. Her husband died in 1925, only 18 years into their marriage, leaving her with four children and her pen as her primary means of support. College educated herself, Bess put all four children through school on the strength of her writing.
Recently I read two collections of her short stories, the first from 1907 to 1919, the second from 1920 to 1954. I soon learned that she had several stock formulas that she rotated through for many of her stories. Others, however, were one of a kind gems that still sparkle all these years later.
Included in the collection was an interview with Bess, in which she spoke humorously of writing out sentences with one hand while ironing with the other. Whatever privations her widowhood may have thrust upon her, she focused on the positive qualities of life not only in the interview but also in her works.
In the same interview, Bess spoke about people who claimed they wanted to be writers but somehow "just couldn't find the time" in which to write. She felt strongly that no matter how busy a person was, that person always managed to make time for what was important to him or her. If you said you wanted to be a writer and weren't writing because you were "too busy," then in her opinion you didn't really want to be a writer.
So what does it say about me that I go far too long without writing? (Or at least writing for this blog, because in many ways I indeed make my living through writing.) Do I not want it enough? Or, to rely on a later Nebraskan I also admire, therapist/author Mary Pipher, do I not write because our modern world has changed our daily rhythms and lifestyle so much that I often struggle merely to cut through the mental noise and clutter of the world, let alone write?
Bess would laugh at that, I am sure, and remind me that she wrote while rocking a cradle or darning a sock. True, but she didn't write while juggling emails or cell phones along with darning the sock or rocking the cradle. Pipher speaks of Aldrich's era as a time when lives "were busy, but not hurried." Too many times my life is busy and hurried, which is a fundamental step in the wrong way.
I often write about my schedule and busyness and my frustration when I let the bustle and rush of the world take over my personal space. It is so hard sometimes to let the email rest until the morning, to set aside the pressing but not urgent folder from the court. I need to respect my time and learn to set aside the time in which to write. I need to learn and relearn that respect until it is engrained in my fingers and my heart.
As a way of teaching myself, I have lately taken to writing from prompts. My favorite source (and I dearly wish Elizabeth would post a new one!) has been those at quotesnack. Like drumming, writing prompts jumpstart my heart and my soul. They are writing snacks: quick, light, easy.
I think Bess, who once wrote of a character that "earth held no sorrow that food could not heal," would approve.
Wednesday, December 1, 2010
Change
We all think about change and improvement: changing ourselves, improving our communities, changing our attitudes, improving our spouses. We change our hairstyles, we change our beliefs, we change what we do or what we eat or what we read or what we listen to, trying to better our lives or the lives of those around us.
Some of us even think about changing the world. Few of us ever try, though, because it is so daunting a task. How can someone just plain Jane ordinary little old me really help change the world?
Sometimes the first step in changing the world is as simple as refusing to give up your seat.
Thank you, Rosa Parks, who 55 years ago today chose to stay seated.
Some of us even think about changing the world. Few of us ever try, though, because it is so daunting a task. How can someone just plain Jane ordinary little old me really help change the world?
Sometimes the first step in changing the world is as simple as refusing to give up your seat.
Thank you, Rosa Parks, who 55 years ago today chose to stay seated.
Labels:
America,
change,
civil disobedience,
civil rights,
community,
equality,
freedom,
gratitude,
hope,
justice,
making a difference
Sunday, November 28, 2010
The Franz Klammer in Me
Let me make one thing clear from the get-go: I don't ski. The last time I skied, some thirty years ago, I fell and tore enough ligaments in my knee to have to be rescued by the Ski Patrol. They put me in a small sledge and skied me over to a Sno-Cat operator, who took me on down the mountain to the ski lodge, where I gratefully embraced the warmth and accepted the painkillers proffered to me.
So, I don't ski. But I like the idea of skiing. I like the idea of all that speed as you fly downhill.
(Note: cross-country skiing is not skiing, in my book. Cross-country skiing is just going for a long, awkward hike with boards strapped to your feet.)
My all-time favorite Olympic memory, more so even than the 1980 "Miracle on Ice," is that of Austrian Franz Klammer winning the gold medal in downhill in 1976 in Innsbruck. I still remember sitting on the edge of the couch watching and screaming at the television as he flashed across the finish line. At times he was skiing on the edge of one ski, almost certain to go over on his side. At times he was airborne as he hurtled towards the finish. Ski commentators still call Klammer's gold medal run one of the greatest (and most daring) ever.
It was Franz Klammer whose spirit I invoked today when I posted "standing at the top of the ski run to the end of 2010" as my Facebook status.
Discussions of the holidays and what to do, or not to do, for Christmas are starting to fill the airwaves. My friend Tonya emailed me about it last night. In answering Tonya this morning, I replied: My Christmas spirit I think this year is quiet - not gone, but very soft-spoken. I am trying to avoid the "one big 'to do' list" feeling and really, really trying hard not to get caught up in expectations (mine or others) of what Christmas "should" be to be "perfect." My friend Sharon blogged about it this morning, asking what readers were doing to simplify Christmas. In answering her, I borrowed from my note to Tonya, then added: And that is where I am trying to stay this year. I am trying to conscientiously weigh what I am doing and why, and making my choices from there.
No matter what I vow to do about Christmas, I know that at some point the collective piles of holly and mistletoe, along with the decked halls and visions of sugarplums, will hit staggering heights. That's even before I add all of the "wrap up the old year and start the new one" tasks. Before too much longer, I will be poised at top of a dauntingly long run whose end is way, way, way off there. This weekend was just a warm-up run.
It's a slippery slope indeed, this end of the year trickiness, and one on which I don't want to lose my balance. I will check and double-check my bindings and adjust my goggles one more time before I push off from the starting gate. I want to slice down that icy hill at breakneck pace and feel the skis cut through the snow. I want to flash across the finish line, upright and victorious.
I want it to be Innsbruck all over again. I want to be Franz Klammer.
So, I don't ski. But I like the idea of skiing. I like the idea of all that speed as you fly downhill.
(Note: cross-country skiing is not skiing, in my book. Cross-country skiing is just going for a long, awkward hike with boards strapped to your feet.)
My all-time favorite Olympic memory, more so even than the 1980 "Miracle on Ice," is that of Austrian Franz Klammer winning the gold medal in downhill in 1976 in Innsbruck. I still remember sitting on the edge of the couch watching and screaming at the television as he flashed across the finish line. At times he was skiing on the edge of one ski, almost certain to go over on his side. At times he was airborne as he hurtled towards the finish. Ski commentators still call Klammer's gold medal run one of the greatest (and most daring) ever.
It was Franz Klammer whose spirit I invoked today when I posted "standing at the top of the ski run to the end of 2010" as my Facebook status.
Discussions of the holidays and what to do, or not to do, for Christmas are starting to fill the airwaves. My friend Tonya emailed me about it last night. In answering Tonya this morning, I replied: My Christmas spirit I think this year is quiet - not gone, but very soft-spoken. I am trying to avoid the "one big 'to do' list" feeling and really, really trying hard not to get caught up in expectations (mine or others) of what Christmas "should" be to be "perfect." My friend Sharon blogged about it this morning, asking what readers were doing to simplify Christmas. In answering her, I borrowed from my note to Tonya, then added: And that is where I am trying to stay this year. I am trying to conscientiously weigh what I am doing and why, and making my choices from there.
No matter what I vow to do about Christmas, I know that at some point the collective piles of holly and mistletoe, along with the decked halls and visions of sugarplums, will hit staggering heights. That's even before I add all of the "wrap up the old year and start the new one" tasks. Before too much longer, I will be poised at top of a dauntingly long run whose end is way, way, way off there. This weekend was just a warm-up run.
It's a slippery slope indeed, this end of the year trickiness, and one on which I don't want to lose my balance. I will check and double-check my bindings and adjust my goggles one more time before I push off from the starting gate. I want to slice down that icy hill at breakneck pace and feel the skis cut through the snow. I want to flash across the finish line, upright and victorious.
I want it to be Innsbruck all over again. I want to be Franz Klammer.
Labels:
attitude,
calendar,
holidays,
New Year,
personal time,
perspective,
priorities,
time
Friday, November 26, 2010
Reflections on Colored Lights
It is Friday evening after Thanksgiving. The day was sunny but chill; I have stayed inside for most of it. Tonight is chillier yet. The furnace has just kicked on.
As I write these words out in longhand, I am sitting in the living room, reading some, writing some, sorting out my thoughts.
Warren is upstairs, putting his study to rights. I hear him rolling back and forth across the floor in his desk chair.
Elizabeth is upstairs, probably sleeping after a sprint to the mall at four a.m. for a day out shopping with girlfriends.
I am alone and this room is quiet.
Although I have pulled most of the curtains shut against the chill night air, I have left open the one directly across from me. The neighbors across the street have hung colored lights - "icicles" - on their house this year.
I like the colors, the little bits of glowing confetti in the dark.
Last year I nattered away about my lack of Christmas spirit. This year, the nattering is quiet. I sense instead the year slowly wheeling towards its close, bringing Christmas and a new year closer in quiet and measured increments.
I miss my children acutely. I want to wrap them and their needs in blankets of care. I feel about them as the poet: "would that I could gather them / This Yuletide, and shower them with coins." But it is a cold night and they are 2500 miles away, all gathered in Portland for the holidays.
I lift up my eyes from these pages and look out again at the bright flecks of color in the dark night.
The days from now until year's end unroll in my thoughts. I know they will be full of cookies and concerts and Christmas cards. There will be packages to ship west. Warren will make his father's peanut brittle and I will make my grandmother's popcorn balls. I hope the days will be full, but not hurried. That is my wish as I gaze out into the dark.
I hope they will be full of small moments strung together like the lights across the street - little jeweled votives lighting the night.
As I write these words out in longhand, I am sitting in the living room, reading some, writing some, sorting out my thoughts.
Warren is upstairs, putting his study to rights. I hear him rolling back and forth across the floor in his desk chair.
Elizabeth is upstairs, probably sleeping after a sprint to the mall at four a.m. for a day out shopping with girlfriends.
I am alone and this room is quiet.
Although I have pulled most of the curtains shut against the chill night air, I have left open the one directly across from me. The neighbors across the street have hung colored lights - "icicles" - on their house this year.
I like the colors, the little bits of glowing confetti in the dark.
Last year I nattered away about my lack of Christmas spirit. This year, the nattering is quiet. I sense instead the year slowly wheeling towards its close, bringing Christmas and a new year closer in quiet and measured increments.
I miss my children acutely. I want to wrap them and their needs in blankets of care. I feel about them as the poet: "would that I could gather them / This Yuletide, and shower them with coins." But it is a cold night and they are 2500 miles away, all gathered in Portland for the holidays.
I lift up my eyes from these pages and look out again at the bright flecks of color in the dark night.
The days from now until year's end unroll in my thoughts. I know they will be full of cookies and concerts and Christmas cards. There will be packages to ship west. Warren will make his father's peanut brittle and I will make my grandmother's popcorn balls. I hope the days will be full, but not hurried. That is my wish as I gaze out into the dark.
I hope they will be full of small moments strung together like the lights across the street - little jeweled votives lighting the night.
Labels:
Christmas,
contemplation,
Family,
gifts,
holidays,
hope,
love,
personal time,
priorities,
small moments,
thankfulness,
time,
writing
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